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Happy to answer any questions about the modelled presets, for those that don't have the software. Best bet will be to click the following link to go to my SoundCloud page where you can select the modelled track from the group to compare: The presets I used on these are shown on the track names, so you can recreate them yourselves at home.ĮDIT: Pah! The SoundCloud plug in on this forum doesn't show the multi track options. The only exception was the last track (combined AT3.5 + S-Gear where I used MAGNETIC to warm up the mixed mess!) All effects and ambience are from the modellers themselves. Note: I didn't use ANY DAW post processing tools here.
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I hosted the track in Garageband, and used S-Gear from Scuffham Amps and Amplitube 3.5 from IK Multimedia.ģ tracks using S-Gear, 3 using Amplitube and 1 with BOTH modellers combined! The Metroamp clip of the guy playing Unchained with a Les Paul features a stock 12xxx Super Lead replica with ONLY a virtual variac mod, so unless the. Here is Flyin'Angus' dry guitar track reamped using S-Gear and Amplitube 3.5:
![ralle reamp clip metroamp forum ralle reamp clip metroamp forum](https://www.branchenportal24.de/images/links/link2926.jpg)
but what you got at the mixing desk after the EQ'ing was that sound we all heard".So Necromancer Scott orders, and it shall be done. Standing next to the amp what you got was a loud, mid-rangey, flat tone. " Ed's trick for recording with this amp was to turn the amp all the way up and play it thru one cabinet, then EQ the tone at the mixing board and cut the mids, and boost the bass a little bit (after it was miked up). A DI box converts the unbalanced, Hi-Z signal of your guitar or bass to a balanced, microphone. The ‘dry’ track is a clean, unaffected track recorded direct from a guitar through a DI box. James also talks about seeing and playing thru Ed's precious 12301 amp, and that it was a stock amp. Reamping is a process by which you record ‘dry’ tracks that a mix engineer can run back through amps and are mic’d up and captured in the usual way. While James says he never saw (or heard) this amp, Dave did. The amp Ed was demo'ing around was a "Jose modded Marshall" built by the late Jose Arredondo. According to James and Dave, Ed was taking a prototype amp around to all the big-name amp builders to have it cloned and sold under his name. James was the lead engineer for Peavey, who was working closely with Ed to develop his signature amp. Go to time marker 16:35 where James is talking about Ed's Marshall super lead 100. Sounds like a style of cascading.Ĭlick to expand.If you haven't listened to this talk with Dave Friedman and James Brown from about a year ago, concerning EVH's amp and tone, I highly recommend it.
#Ralle reamp clip metroamp forum series#
The 'alleged evh value was 32+32 in series or 16u. The term seems to be suggesting a feedback arrangement - scavenging from an output to feed another input. 100uF 450v/500v axial filter capacitor (2) 50uFx50uF 450v/500v axial filter capacitor (2) - jumpered to make 100uFIf this is the screens filter then this also is a Ralle value. Can't say I have had any luck finding clear-cut directions on implementing that in a 'plexi' preamp. I have found some comments from George M where he expresses his preference for generating gain earlier in the preamp and utilising a std MV rather than relying on hammering the PI as-per PPIMV. I don't want to go batshit with the gain, but would like to just plug my Strat and LP straight in and palm mute/'chunk', riding the vol on the fiddle-clean to mean. I was wondering how much gain you can reasonably expect to get out of the std preamp design before going to a JCM800 - style cascaded setup. However.there's room on the table for more. It's my first amp build and I really like the overall sound-one of the better sounding amps I've had = can hear the guitar strings and lots of clarity. Well I built this View media item 134805It's essentially a 50W mostly from Valvestorm.
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